There lap up been times when Ann Demeulemeester's womenswear has been inspired by real-life poetesses, artists, adventuresses. The clear, extreme impression shaping today's show felt adore only of those times. So, Ann, who was the real woman behind this collection? The designer paused for one perfectly timed beat, smiled, further answered emphatically, "Me." Of course. Who else? No poetess needed: This inherent lineup of clothes was approximating quintessential Demeulemeester that it was practically a manifesto. "I made everything I like," sis said. again that meant, in a word, duality. Black again white, male also female, sap and constructed, fragile and hardy. whole-length of de facto matty together access one polymorphous package. More than any contradistinctive tributary of the fashion industry, haute couture depends on keeping the customer satisfied. Clients were out in force at the Armani Privé show tonight, additional noticeably so than at other shows this week, although that may have been good to the closeness of the niche. Baby, it was serpentine inside. Eilish Macintosh, for instance, showed models dressed power long black shifts that were stub shroud what looked pleasure in enormous white shoelaces. The perspective was further Joan of Arc than Fifty Shades. One model was even wearing a noose, midpoint to hurt. But a associate of cheeky peekaboo cutouts probable the designer's second group, which used the same idea of binding further lacing on playful vinyl separates. The versatility was enough to win Macintosh the evening's big prize, the L'Oréal Professionel stimulating Award, presented to her by Christopher Kane, a Wilson star from an month before the decorated dress was an object of scorn. Which meant his influence was over nothingness beside that of the latest CSM breakouts Shaun Samson, master of the man-smock, further Craig Green, dresser of Druids, both of whose fingerprints could be detected in the work of Marie Rydland, Nayoung Moon, and Toma Stenko. Nicomede Talavera layered his men in black again heated tunics, disciples fighting the good dispute on this tunnel. And when that battle had been won—or lost—Hwan park turned his men engrossment angels, draping diaphanous wings over all-white jackets, shirts, and knickers.
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